- Japanisch
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Vereinfachtes Chinesisch (China)
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Englisch (US)
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Französisch (Frankreich)
Recall that in Chapter One we looked at how, at the end of the nineteenth century, it was "sound" that prompted the evolution of newspaper cartoons into what we now call comic strips; Indeed, in the "Hogan's Alley" series, as the cartoon eventually produced drawings evoking sounds, such as parrots chirping, cats fighting, boys fighting, falling, hitting, slapping and punching and so on, one of the fictional figures grew up to be as if a real popular comedian. Comic strips, however, could not express either motion or sound, only to present them in pseudo forms. In contrast, Mickey Mouse, a resident of animated cartoons, merrily got over this limitation by acquiring sound through the technological innovations of cinema. Indeed, handling a steamboat, he turned everything around him into an instrument in the short film. He tapped his foot on the deck, blew his whistle, banged sticks on pots and pans, twanging a washboard and even turned a goat into a living record player as an instrument for his beloved Minnie Mouse. Sound stimulates people's minds and bodies simultaneously. Fictional characters can be as good as real comedians just by evoking sound, whether pseudo or physical. Disney would eventually build an empire on this modest discovery, whereas Fleischer, at least when his team made "Noah's Lark," did not find it out. That was why the audience was not so excited with it. To them, it was an animated film just synchronized with musical sound. It had no "character" as we know it today in it. klingt das natürlich?
- Englisch (US)
Etwas unnatürlich
Recall that in Chapter One we looked at how, at the end of the nineteenth century, it was "sound" that prompted the evolution of newspaper cartoons into what we now call comic strips;. Indeed, in the "Hogan's Alley" series, as the cartoon eventually produced drawings evoking sounds, such as parrots chirping, cats fighting, boys fighting, falling, hitting, slapping and punching and so on, one of the fictional figures grew up to be as if a real popular comedian.
Recall that in Chapter One we looked at how, at the end of the nineteenth century, it was "sound" that prompted the evolution of newspaper cartoons into what we now call comic strips;. Indeed, in the "Hogan's Alley" series, as the cartoon eventually produced drawings evoking sounds, such as parrots chirping, cats fighting, boys fighting, falling, hitting, slapping and punching and so on, one of the fictional figures grew up to be as if a real popular comedian.
Comic strips, however, could not express eitherneither motion ornor sound, but only to present them in pseudo forms.
Comic strips, however, could not express eitherneither motion ornor sound, but only to present them in pseudo forms.
In contrast, Mickey Mouse, a resident of animated cartoons, merrily got over this limitation by acquiring sound through the technological innovations of cinema.
In contrast, Mickey Mouse, a resident of animated cartoons, merrily got over this limitation by acquiring sound through the technological innovations of cinema.
Indeed, handling a steamboat, he turned everything around him into an instrument in the short film.
He tapped his foot on the deck, blew his whistle, banged sticks on pots and pans, twanging a washboard and even turned a goat into a living record player as an instrument for his beloved Minnie Mouse.
Sound stimulates people's minds and bodies simultaneously.
Fictional characters can be as good as real comedians just by evoking sound, whether pseudo or physical.
Disney would eventually build an empire on this modest discovery, whereas Fleischer, at least when his team made "Noah's Lark," did notrealize findthe potential it outhad.
Disney would eventually build an empire on this modest discovery, whereas Fleischer, at least when his team made "Noah's Lark," did notrealize findthe potential it outhad.
That was why the audience was not soas excited withabout it.
That was why the audience was not soas excited withabout it.
To them, it was an animated film just synchronized with musical sound.
It had no "character" as we know it today in it.
It had no "character" as we know it today in it.
War diese Antwort hilfreich?
Offensichtlich falsch
Die Erklärung ist nicht ausreichend
In einer Sprache geschrieben, die ich nicht verstehe
Die Antwort hat nichts mit der Frage zu tun
Anderer Grund
- Englisch (US)
Etwas unnatürlich
Recall that in Chapter One we looked at how, at the end of the nineteenth century, it was "sound" that prompted the evolution of newspaper cartoons into what we now call comic strips;. Indeed, in the "Hogan's Alley" series, as the cartoon eventually produced drawings evoking sounds, such as parrots chirping, cats fighting, boys fighting, falling, hitting, slapping and punching and so on, one of the fictional figures grew up to be as if a real popular comedian.
Recall that in Chapter One we looked at how, at the end of the nineteenth century, it was "sound" that prompted the evolution of newspaper cartoons into what we now call comic strips;. Indeed, in the "Hogan's Alley" series, as the cartoon eventually produced drawings evoking sounds, such as parrots chirping, cats fighting, boys fighting, falling, hitting, slapping and punching and so on, one of the fictional figures grew up to be as if a real popular comedian.
Comic strips, however, could not express eitherneither motion ornor sound, but only to present them in pseudo forms.
Comic strips, however, could not express eitherneither motion ornor sound, but only to present them in pseudo forms.
In contrast, Mickey Mouse, a resident of animated cartoons, merrily got over this limitation by acquiring sound through the technological innovations of cinema.
In contrast, Mickey Mouse, a resident of animated cartoons, merrily got over this limitation by acquiring sound through the technological innovations of cinema.
Indeed, handling a steamboat, he turned everything around him into an instrument in the short film.
He tapped his foot on the deck, blew his whistle, banged sticks on pots and pans, twanging a washboard and even turned a goat into a living record player as an instrument for his beloved Minnie Mouse.
Sound stimulates people's minds and bodies simultaneously.
Fictional characters can be as good as real comedians just by evoking sound, whether pseudo or physical.
Disney would eventually build an empire on this modest discovery, whereas Fleischer, at least when his team made "Noah's Lark," did notrealize findthe potential it outhad.
Disney would eventually build an empire on this modest discovery, whereas Fleischer, at least when his team made "Noah's Lark," did notrealize findthe potential it outhad.
That was why the audience was not soas excited withabout it.
That was why the audience was not soas excited withabout it.
To them, it was an animated film just synchronized with musical sound.
It had no "character" as we know it today in it.
It had no "character" as we know it today in it.
"merrily got over this limitation" - "merilly" here references the action of "getting over this limitation". So "He got over this limitation in a merry way/fashion". It does not mean that he became merry after getting over the limitation. Usually we would use words like "easily" to describe the way in which someone overcomes limitations.
You can leave it out here, and rewrite the next sentence into something like "He became known as the jovial character we all know and love by turning the different parts of his steamboat into various instruments." But this is just my opinion, and I'm nitpicking because your English level is very good.
"Fictional characters can be as good as real comedians just by evoking sound, whether pseudo or physical." - this sentence is a bit unclear to me. Maybe something like "through the medium of sound, fictional comedians can be just as good at evoking emotions as real comedians."
War diese Antwort hilfreich?
- Japanisch
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"merrily got over this limitation" - "merilly" here references the action of "getting over this limitation". So "He got over this limitation in a merry way/fashion". It does not mean that he became merry after getting over the limitation. Usually we would use words like "easily" to describe the way in which someone overcomes limitations.
You can leave it out here, and rewrite the next sentence into something like "He became known as the jovial character we all know and love by turning the different parts of his steamboat into various instruments." But this is just my opinion, and I'm nitpicking because your English level is very good.
"Fictional characters can be as good as real comedians just by evoking sound, whether pseudo or physical." - this sentence is a bit unclear to me. Maybe something like "through the medium of sound, fictional comedians can be just as good at evoking emotions as real comedians."